Download Saint Etienne mp3

Artist: Saint Etienne: mp3 download    Genre(s):  Rock: Pop-Rock Pop Dance: Pop Electronic     Discography:      Tales From Turnpike House (CD 1)    Year: 2006    Tracks: 12      Tales From Turnpike House (CD 2) - Up The Wooden Hills    Year: 2005    Tracks: 6      Smash The System: Singles and More (CD 2)    Year: 2001    Tracks: 17      Smash The System: Singles and More (CD 1)    Year: 2001    Tracks: 17      Interlude    Year: 2001    Tracks: 12      Sound Of Water    Year: 2000    Tracks: 10      How We Used To Live    Year: 2000    Tracks: 5      The Misadventures Of Saint Etienne    Year: 1999    Tracks: 20      Places To Visit    Year: 1999    Tracks: 6      Good Humor    Year: 1999    Tracks: 11      Built On Sand    Year: 1999    Tracks: 14      Xmas '98    Year: 1998    Tracks: 2      Fairfax High    Year: 1998    Tracks: 11      Valentines Day 97    Year: 1997    Tracks: 4      Continental    Year: 1997    Tracks: 13      Casino Classics CD 2    Year: 1996    Tracks: 10      Casino Classics CD 1    Year: 1996    Tracks: 9      Xmas '95    Year: 1995    Tracks: 3      Too Young To Die: The Singles 1990-1995    Year: 1995    Tracks: 14      I Love To Paint    Year: 1995    Tracks: 12      Tiger Bay    Year: 1994    Tracks: 12      You Need A Mess Of Help To Stand Alone    Year: 1993    Tracks: 11      So Tough    Year: 1993    Tracks: 15      Foxbase Alpha    Year: 1991    Tracks: 15 Like most bands formed by early euphony journalists, Saint Etienne were a highly conceptual radical. The trio's concept was to fuse the British thunderbolt down sounds of '60s London with the club/dance rhythms and productions that defined the post-acid sign of the zodiac England of the early '90s. Led by songwriters Bob Stanley and Pete Wiggs, and fronted by vocaliser Sarah Cracknell, the grouping managed to carry out their construct, and, in the activity, Saint Etienne helped make indie dance a feasible literary genre inside the U.K. Throughout the early '90s, Saint Etienne racked up a string of indie make singles that were dictated by bass society beat generation -- circumferent anything from menage and techno to hip-hop and disco music music -- and superimposed with light melodies, lucubrate productions, chary lyrics, and Cracknell's breathy vocals. They revived the sounds of swing London, as well as the concept of the three-minute pop single organism a catchy, ephemeron piece of ear candy, in post-acid business unwavering Britain, thereby setting the microscope stage for Brit-pop. Though almost Brit-pop bands jilted the dance inclinations of Saint Etienne, they even so adopted the trio's esthetical, which storeyed the sound and expressive style of authorized '60s pop. The origins of Saint Etienne date back to the early '80s, when puerility friends Bob Stanley (b. December 25, 1964) and Pete Wiggs (b. May 15, 1966) began making party tapes together in their hometown of Croydon, Surrey, England. After complemental school, the couple began worked various jobs -- near notably, Stanley was a music diarist -- in front deciding to pore on a musical vocation in 1988. Adopting the mention Saint Etienne from the French football team of the same name, the duette moved to Camden, where they began recording. By the get-go of 1990, the group had sign a track record contract with the indie label Heavenly. In the natural spring of 1990, Saint Etienne released their get-go single, a house-tinged cover of Neil Young's "Only Love Can Break Your Heart," which featured leash vocals from Moira Lambert of the indie pop band Faith Over Reason. "Only Love Can Break Your Heart" became an subway system strike, receiving a fair sum of airplay inside nightclubs crosswise England. Later in the year, Saint Etienne released their instant single, a enshroud of the indie pop radical Field Mice's "Let's Kiss and Make Up," which was song dynasty by Donna Savage of the New Zealand band Dead Famous People. Like its herald, "Kiss and Make Up" was an subway system strike, helping set the stagecoach for "Cipher Can Stop Us." Released in the spring of 1991, "Zip Can Stop Us" was the first Saint Etienne single song by Sarah Cracknell (b. April 12, 1967), whose schoolgirlish vocals became a key signature of the group's sound. Cracknell was the principal vocalizer on the band's debut, Fox Base Alpha, which was released in the fall of 1991. Following the spillage of Fox Base Alpha, Cracknell officially became a member of Saint Etienne; she had antecedently song in Prime Time. "Only Love Can Break Your Heart" was re-released in conjunction with Fox Base Alpha and cracked the lower ending of the British pop charts. Saint Etienne was rootage to benefit momentum, as the British iron out broadly speaking gave them positive reviews and their records were gaining a solid fan base not only in England, only passim Europe. During 1992, the grouping released a serial publication of singles -- "Join Our Club," "People Get Real," and "Boulevard" -- which retained their popularity. In addition to writing and recording music for Saint Etienne, Stanley and Wiggs became active producers, songwriters, remixers, and label heads as well. In 1989, Stanley had founded Caff Records, which issued limited edition 7" singles of bands as various as Pulp and the Manic Street Preachers, as intimately as a issue of other lesser-known bands wish World of Twist. In 1992, Stanley and Wiggs founded Ice Rink, which intended to couch out records by pop groups, not rock groups. The label released singles from several artists -- including Oval, Sensurround, Elizabeth City Slate, and Golden, which featured Stanley's girl, Celina -- none of which gained much attention. Preceded by the single "You're in a Bad Way," Saint Etienne's instant album, So Tough, appeared in the spring of 1993 to broadly speaking positive reviews and increased gross revenue. Over the class of 1993, the group released three more singles -- "World Health Organization Do You Think You Are," "Hobart Paving," and "I Was Born on Christmas Day" -- which all charted well. In 1994, the triple began to lose momentum, as their third base album, Tiger Bay, was greeted with unquestionably interracial reviews, tied as singles like "Like a Motorway" continued to graph well. After complementary a new track, "He's on the Phone," for their 1995 singles compilation, As well Young to Die, as intimately as the French-only single "Reserection," Saint Etienne took an extended break during 1996. Sarah Cracknell chased a solo project, cathartic a individual highborn "Anymore" in the fall of the year. Bob Stanley and Pete Wiggs began a phonograph recording label for EMI Records, which had the aim of cathartic euphony from young, development bands. In the fall of 1996, Saint Etienne released a remix album, Casino Classics; a new studio sweat, In effect Humour, followed two old age later, and the threesome returned in 1999 with an EP, Places to Visit. The full-length Sound of Water appeared in mid-2000, featuring guest appearances by Sean O'Hagan (of the High Llamas) and To Rococo Rot. After a successful U.S. go in support of Effectual of Water the chemical group issued Interlude, a aggregation of new tracks, instrumentals, and B-sides, in early 2001. A yr afterward, the threesome followed up with Finisterre, and Tales from Turnpike House arrived in 2005.